{"id":1145,"date":"2021-07-02T12:17:13","date_gmt":"2021-07-02T05:17:13","guid":{"rendered":"https:\/\/thailandfoundation.or.th\/?post_type=culture_heritage&#038;p=1145"},"modified":"2021-09-06T11:30:46","modified_gmt":"2021-09-06T04:30:46","slug":"thai-classical-orchestra","status":"publish","type":"post","link":"https:\/\/thailandfoundation.or.th\/th\/thai-classical-orchestra\/","title":{"rendered":"Music for the Soul: Wong Piphat, the Thai Classical Orchestra"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-1238 size-large\" src=\"https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/107519169_599150791031809_2263609691855706231_n-1024x768.jpeg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/107519169_599150791031809_2263609691855706231_n-1024x768.jpeg 1024w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/107519169_599150791031809_2263609691855706231_n-300x225.jpeg 300w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/107519169_599150791031809_2263609691855706231_n-768x576.jpeg 768w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/107519169_599150791031809_2263609691855706231_n-1536x1152.jpeg 1536w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/107519169_599150791031809_2263609691855706231_n.jpeg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center;\">Musicians of the Thai Music Group, Fine Arts Department [cr. FB: <a href=\"https:\/\/www.facebook.com\/Thai-Music-Group-%E0%B8%AA%E0%B8%B3%E0%B8%99%E0%B8%B1%E0%B8%81%E0%B8%81%E0%B8%B2%E0%B8%A3%E0%B8%AA%E0%B8%B1%E0%B8%87%E0%B8%84%E0%B8%B5%E0%B8%95-%E0%B8%81%E0%B8%A3%E0%B8%A1%E0%B8%A8%E0%B8%B4%E0%B8%A5%E0%B8%9B%E0%B8%B2%E0%B8%81%E0%B8%A3-232998887647003\">Thai Music Group<\/a>]<\/p>\n<p>&nbsp;<\/p>\n<p><span >An independent country with a long history, Thailand possesses rich culture of language, cuisine, arts, and music, each of which is recognized as a national heritage. In this article, we explore Thai classical music, in particular the <em>Piphat <\/em>(\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c) orchestra.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >History reveals that most traditional Thai musical instruments originated during the Sukhothai era (1249-1438), the first kingdom of Siam (the former name of Thailand). Musical ensembles were conceived in the Ayutthaya period (1350-1767), the second kingdom of Siam (1782-present) and reached their peak between 1868 and 1925 during the reigns of Kings Rama IV and VI, a period considered the golden age of Thai classical music.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >Thai musical instruments are categorized into four main types based on the action of playing: <em>Deed<\/em> (plucking), <em>Si<\/em> (bowing), <em>Tee <\/em>(striking), and <em>Pao<\/em> (blowing).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >Classical Thai music ensembles can be classified into three categories: <em>Wong Piphat, Wong Khrueang Sai<\/em> (\u0e27\u0e07\u0e40\u0e04\u0e23\u0e37\u0e48\u0e2d\u0e07\u0e2a\u0e32\u0e22), and <em>Wong Mahoree <\/em>(\u0e27\u0e07\u0e21\u0e42\u0e2b\u0e23\u0e35), with <em>wong<\/em> meaning ensemble or band. \u00a0Each band plays all three kinds of musical instruments \u2013 wind, string, and percussion \u2013 but in different combinations.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >Percussion and wind instruments are the main constituents of\u00a0<em>Wong Piphat<\/em> and include <em>Ranad Ek<\/em> (\u0e23\u0e30\u0e19\u0e32\u0e14\u0e40\u0e2d\u0e01), alto bamboo xylophone; <em>Ranad Thum<\/em> (\u0e23\u0e30\u0e19\u0e32\u0e14\u0e17\u0e38\u0e49\u0e21), bass bamboo xylophone; <em>Khong Wong Yai<\/em> (\u0e06\u0e49\u0e2d\u0e07\u0e27\u0e07\u0e43\u0e2b\u0e0d\u0e48), a set of gongs in a vertical circular frame; <em>Khong Wong Lek<\/em> (\u0e06\u0e49\u0e2d\u0e07\u0e27\u0e07\u0e40\u0e25\u0e47\u0e01), a set of gongs in a horizontal circular frame; <em>Ta-pone<\/em> (\u0e15\u0e30\u0e42\u0e1e\u0e19), two-sided barrel drum laid horizontally on a wooden stand; and <em>Klong Thad<\/em> (\u0e01\u0e25\u0e2d\u0e07\u0e17\u0e31\u0e14), large drum played with sticks.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span ><em>Wong Khrueang Sai<\/em> features string instruments, such as the zither, alto, and soprano fiddles as the main components along with a wind instrument like a flute.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span ><em>Wong Mahoree<\/em>, meanwhile, is made up of all kinds of musical instruments \u2013 wind, string, and percussion \u2013 and can best be described as a combination of <em>Wong Piphat<\/em> and <em>Wong Khrueang Sai.<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >The <em>Piphat<\/em> orchestra is the most common of these three ensembles and is considered the icon of Thai classical music. It is called upon to perform on most occasions, such as ordinations, house blessings, and religious ceremonies, and also accompanies classical plays and shows like <em>Khon <\/em>(\u0e42\u0e02\u0e19: classical masked dance),<em> Likay<\/em> (\u0e25\u0e34\u0e40\u0e01: folk dance drama), and <em>Nang Yai<\/em> (\u0e2b\u0e19\u0e31\u0e07\u0e43\u0e2b\u0e0d\u0e48: grand shadow puppet). The <em>Piphat<\/em> orchestra is also part of all royal events.<\/span><\/p>\n<p><span ><strong>\u00a0<\/strong><\/span><\/p>\n<p><span ><strong>Types of Wong Piphat<\/strong><\/span><\/p>\n<p><span >The <em>Piphat<\/em> orchestra is further divided into eight sub-categories:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span >1. Wong<em> Piphat Khrueang Ha<\/em> (\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e40\u0e04\u0e23\u0e37\u0e48\u0e2d\u0e07\u0e2b\u0e49\u0e32) \u2013 the principal band comprising the smallest number of instruments, namely <em>Pi Nai<\/em> (\u0e1b\u0e35\u0e48\u0e43\u0e19) soprano oboe, <em>Ranad Ek<\/em>, <em>Khong Wong Yai<\/em>, <em>Klong Thad, Ta-pone<\/em>, and <em>Ching<\/em> (\u0e09\u0e34\u0e48\u0e07: small cymbals).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/KM7AUdmCNvc\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\">2.<em > Wong Piphat Khrueang Khu<\/em><span > (\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e40\u0e04\u0e23\u0e37\u0e48\u0e2d\u0e07\u0e04\u0e39\u0e48) has the same instruments as the former <\/span><span >but also includes <\/span><em >Ranad Thum<\/em><span >, <\/span><em >Khong Wong Lek<\/em><span >, and <\/span><em >Pi Nok<\/em><span > (\u0e1b\u0e35\u0e48\u0e19\u0e2d\u0e01), the smallest soprano oboe. Sometimes, these additional instruments may be replaced with <\/span><em >Krap<\/em><span > (\u0e01\u0e23\u0e31\u0e1a), wooden rhythm clappers; and <\/span><em >Klong Khaek <\/em><span >(\u0e01\u0e25\u0e2d\u0e07\u0e41\u0e02\u0e01), Indian drums.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/OamjJVbTDBU\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span >3. <em>Wong Piphat Khrueang Yai<\/em> (\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e40\u0e04\u0e23\u0e37\u0e48\u0e2d\u0e07\u0e43\u0e2b\u0e0d\u0e48) is a modification of <em>Wong Piphat Khrueang Khu<\/em> through the addition of <em>Ranad Ek Lek<\/em> (\u0e23\u0e30\u0e19\u0e32\u0e14\u0e40\u0e2d\u0e01\u0e40\u0e2b\u0e25\u0e47\u0e01), alto metal xylophone; and <em>Ranad Thum Lek<\/em> (\u0e23\u0e30\u0e19\u0e32\u0e14\u0e17\u0e38\u0e49\u0e21\u0e40\u0e2b\u0e25\u0e47\u0e01), bass metal xylophone. The <em>Klong Thad<\/em> may sometimes be included.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/ZMtwpmVU5AY\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span >4. <em>Wong Piphat Nang Hong<\/em> (\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e19\u0e32\u0e07\u0e2b\u0e07\u0e2a\u0e4c) gets its name from a song \u201cNang Hong\u201d, which was mostly played at funeral ceremonies in the past. The band features the basic instruments of the <em>Wong Piphat<\/em> but also includes the <em>Pi Nai<\/em>, <em>Ta-pone<\/em> and <em>Klong Thad<\/em> replaced by the <em>Pi Java<\/em> (\u0e1b\u0e35\u0e48\u0e0a\u0e27\u0e32) Javanese oboe, and <em>Klong Malayu<\/em> (\u0e01\u0e25\u0e2d\u0e07\u0e21\u0e25\u0e32\u0e22\u0e39) Malay drum. However, its popularity has largely been surpassed by\u00a0<em>Wong Piphat<\/em> <em>Mon <\/em>(\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e21\u0e2d\u0e0d).<\/span><\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/Ms9I9bV6Sgc\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span >5. Wong<em> Piphat Mon<\/em> comprises a number of musical instruments influenced by the culture of an ethnic group known as the Mon, who reside in parts of Myanmar and Thailand. It features the <em>Khong Mon<\/em> (\u0e06\u0e49\u0e2d\u0e07\u0e21\u0e2d\u0e0d) gong; <em>Pi Mon<\/em> (\u0e1b\u0e35\u0e48\u0e21\u0e2d\u0e0d) oboe; <em>Ta-pone Mon<\/em> (\u0e15\u0e30\u0e42\u0e1e\u0e19\u0e21\u0e2d\u0e0d) drums; and <em>Poeng Mang Khok<\/em> (\u0e40\u0e1b\u0e34\u0e07\u0e21\u0e32\u0e07\u0e04\u0e2d\u0e01), a set of small long drums hung on a circular stand. Today, this band most commonly plays at funeral ceremonies, although it can also perform on auspicious occasions.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/pwmcLj8o6po\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span >6. Wong<em> Piphat Chatree<\/em> (\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e0a\u0e32\u0e15\u0e23\u0e35) accompanies folk plays in southern Thailand, such as <em>Nora Chatree<\/em> (\u0e42\u0e19\u0e23\u0e32\u0e0a\u0e32\u0e15\u0e23\u0e35) which is the traditional dance drama of the South, and <em>Nang Ta-lung<\/em> (\u0e2b\u0e19\u0e31\u0e07\u0e04\u0e30\u0e25\u0e38\u0e07) shadow puppet show. It consists of light instruments including the <em>Pi <\/em>(\u0e1b\u0e35\u0e48) oboe, <em>Thon Chatree <\/em>(\u0e42\u0e17\u0e19\u0e0a\u0e32\u0e15\u0e23\u0e35)<em>, Klong Chatree<\/em> (\u0e01\u0e25\u0e2d\u0e07\u0e0a\u0e32\u0e15\u0e23\u0e35), and <em>Khong Khu<\/em> (\u0e01\u0e25\u0e2d\u0e07\u0e04\u0e39\u0e48) double gongs, <em>Ching<\/em>, and <em>Krap Mai<\/em> (\u0e01\u0e23\u0e31\u0e1a\u0e44\u0e21\u0e49) wooden rhythm clapper.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/-FjN0UV2hPU\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span >7. Wong<em> Piphat Duek Dam Ban<\/em> (\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e14\u0e36\u0e01\u0e14\u0e33\u0e1a\u0e23\u0e23\u0e1e\u0e4c) originated during the reign of King Rama V (1868 \u2013 1910) and was named after <em>\u201c<\/em>Duek Dam Ban\u201d (\u0e14\u0e36\u0e01\u0e14\u0e33\u0e1a\u0e23\u0e23\u0e1e\u0e4c), a royal theater operated by the King\u2019s brother, Prince Narisaranuvattiwongse, who was a recognized master in several arts, such as architecture, literature, music, and theatrical plays. This specific band accompanies theatrical performances. It consists of instruments with low and soft tones such as the Ranad Thum, <em>Khong Wong Yai, Khlui Ooh<\/em> (\u0e02\u0e25\u0e38\u0e48\u0e22\u0e2d\u0e39\u0e49) wooden flute, <em>Sor Ooh<\/em> (\u0e0b\u0e2d\u0e2d\u0e39\u0e49) alto fiddle, <em>Ta-pone<\/em>, and <em>Ching<\/em>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/ZyBmhuBDrdE\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span >8. Wong<em> Piphat Sepha<\/em> (\u0e27\u0e07\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c\u0e40\u0e2a\u0e20\u0e32; pronounced say-par) was introduced during the reign of King Rama II in a performance of ballad singing, the so-called <em>Khab Sepha<\/em> (\u0e02\u0e31\u0e1a\u0e40\u0e2a\u0e20\u0e32). The band features the <em>Klong Song Nah<\/em> (\u0e01\u0e25\u0e2d\u0e07\u0e2a\u0e2d\u0e07\u0e2b\u0e19\u0e49\u0e32) (a small long drum with two heads) that replaces the <em>Ta-pone<\/em> and <em>Klong Thad<\/em> in controlling the rhythm.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe src=\"\/\/www.youtube.com\/embed\/eomys2FQKiM\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"padding-left: 40px;\"><span ><strong>\u00a0<\/strong><\/span><\/p>\n<p><span ><strong>Wai Khru Piphat<\/strong><\/span><\/p>\n<p><span >Just as in other traditional Thai practices like dancing and boxing,\u00a0every Thai musician must take part, at least once in their lifetime, in <em>Pitee Wai Khru<\/em> (\u0e1e\u0e34\u0e18\u0e35\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39) or the <em>Wai Khru Piphat <\/em>(\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c) ceremony<em>.<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >The word <em>wai<\/em> (\u0e44\u0e2b\u0e27\u0e49) in Thai refers to a gesture of paying respect to seniors, teachers and sacred images or spirits by putting the palms together in front of one\u2019s chest or forehead and bowing. <em>Khru<\/em> (\u0e04\u0e23\u0e39) is the Thai word for teacher and master.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-1148 size-full\" src=\"https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c.jpg\" alt=\"\" width=\"900\" height=\"600\" srcset=\"https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c.jpg 900w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c-300x200.jpg 300w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c-768x512.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/p>\n<p style=\"text-align: center;\">The Thai classical orchestra at Mahidol University organizes an annual Wai Kru ceremony<\/p>\n<p style=\"text-align: center;\">[photo: Matichon]<\/p>\n<p>&nbsp;<\/p>\n<p><span >Essentially, \u2018<em>Pitee Wai Khru Piphat\u2019<\/em> (\u0e1e\u0e34\u0e18\u0e35\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c) is a sacred ceremony to express gratitude and pay homage to musical instructors or teachers, as well as Phra Parakonthap (\u0e1e\u0e23\u0e30\u0e1b\u0e23\u0e30\u0e04\u0e19\u0e18\u0e23\u0e23\u0e1e), the god of Thai classical music who is represented by the <em>Ta-pone<\/em>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >The ceremony, which has been passed down through <span style=\"text-decoration: line-through;\">the<\/span> generations for centuries, is led by a <em>Chao Pitee<\/em> (\u0e40\u0e08\u0e49\u0e32\u0e1e\u0e34\u0e18\u0e35) \u2013 the \u2018ruler of the ceremony\u2019 \u2013 who will read\u00a0<em>Ong Kahn Wai Khru<\/em> (\u0e42\u0e2d\u0e07\u0e01\u0e32\u0e23\u0e44\u0e2b\u0e27\u0e49\u0e04\u0e23\u0e39) \u2013 a written script expressing gratitude and respect to teachers at the beginning of the ritual.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >The selection of the <em>Chao Pitee<\/em>, regarded as the most significant figure in this sacred ceremony, is based on multiple criteria and requirements. In short, the candidate must possess superb skills, with an outstanding background in <em>Piphat<\/em> music. \u00a0He must be able to play all master-level songs \u2013 the so-called <em>Pleng Nah Phat<\/em> (\u0e40\u0e1e\u0e25\u0e07\u0e2b\u0e19\u0e49\u0e32\u0e1e\u0e32\u0e17\u0e22\u0e4c) which are performed during <em>Khon\u2014<\/em>a Thai classical masked dance performance. He must also have been ordained as a Buddhist monk for a period before starting to practice <em>Pleng Nah Phat<\/em>. Lastly, prior to fulfilling the duty of <em>chao pitee<\/em>, the selected person will have to attend a reading rehearsal of the <em>Ong Kahn Wai Khru<\/em> with senior teachers.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >The ceremony setting features a complete set of <em>Piphat<\/em> instruments; masks depicting faces of musical gods; and offerings such as food, desserts, seasonal fruits and finely decorated flowers called <em>Bai Si<\/em> (\u0e1a\u0e32\u0e22\u0e28\u0e23\u0e35), all essentials for the <em>Wai Khru<\/em> ceremony. All these items are carefully placed at the front of the ceremonial ground while attendees sit at the back. The event starts with the <em>Ong Kahn Wai Khru<\/em> script reading and is followed by the offering of foods to gods and deceased music teachers. The time then comes for the <em>jap mue<\/em> (\u0e08\u0e31\u0e1a\u0e21\u0e37\u0e2d) or hand holding ritual, the most important rite for all <em>Piphat<\/em> musicians.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >For this rite, the initiate sits at the <em>Khong Wong Yai<\/em>. The <em>chao pitee<\/em> holds the initiate\u2019s hands to perform <em>Pleng Sa Thu Kahn<\/em> (\u0e40\u0e1e\u0e25\u0e07\u0e2a\u0e32\u0e18\u0e38\u0e01\u0e32\u0e23) \u2013 an instrumental song traditionally played at sacred ceremonies as an homage to deities. When <em>pleng sa thu kahn<\/em> has repeated three times, the <em>Wai Khru Piphat<\/em> ceremony is essentially complete, and the practitioner is officially declared a Thai musician, with all the qualifications to undertake further studies.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-1239 size-large\" src=\"https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/SDC12825-1024x768.jpeg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/SDC12825-1024x768.jpeg 1024w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/SDC12825-300x225.jpeg 300w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/SDC12825-768x576.jpeg 768w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/SDC12825-1536x1152.jpeg 1536w, https:\/\/thailandfoundation.or.th\/wp-content\/uploads\/2021\/07\/SDC12825.jpeg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Jap mue<\/em> ritual [cr. <a href=\"http:\/\/wasana3030.blogspot.com\/2011\/03\/blog-post_19.html\">wasana3030.blogspot.com<\/a>]<\/p>\n<p>&nbsp;<\/p>\n<p><span >There are two groups of people who can skip the hand holding ceremony: 1) musicians who have already completed the highest levels of <em>Piphat<\/em> orchestra study, and 2) people who are attending the <em>wai khru<\/em> ceremony as a sign of respect and are not expecting to pursue a study in music. However, everyone is invited to join the blessing at the end of <em>wai khru<\/em> ceremony during which participants are anointed with holy powder on the forehead and sprinkled with sacred water on the head or body. This ritual is believed to chase away bad luck and bring fortune.\u00a0\u00a0 \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >In sum, the <em>Wai Khru Piphat<\/em> ceremony aims to encourage Thai musicians to continue practicing their arts and improving their skills. Musicians also use the occasion of the ceremony to ask for blessings from teachers and the deities of music, as well as apologizing for any inappropriate behavior they might have demonstrated in the past.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span >For these reasons alone, all Thai musicians should take part in this auspicious ceremony at least once in their lives.\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: center;\">****************************<\/p>\n<p><span >Reference<\/span><\/p>\n<p><span >Tosa-nga, Narongrit. Jit Win Yarn Lae Lom Hai Jai Sam Nak Pipad [The life and soul of a Pipad orchestra]. Watthanatham Journal: Department of Cultural Promotion, vol. 57, no. 3, July-September 2018, p.22-29. Available at <span role=\"gridcell\"><a class=\"oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h oo483o9r f1sip0of lzcic4wl ljqsnud1 gpro0wi8\" tabindex=\"0\" role=\"link\" href=\"http:\/\/magazine.culture.go.th\/2018\/3\/files\/downloads\/Ebook03_2018_Issue3.pdf?fbclid=IwAR1OHY0_aROtuHbJdzZgOIJhb05YbbLYlXRaOCe4D1PnPcFT4l16kvmleEc\" target=\"_blank\" rel=\"nofollow noopener\">http:\/\/magazine.culture.go.th\/2018\/3\/files\/downloads\/Ebook03_2018_Issue3.pdf<\/a><\/span>.<\/span><\/p>\n<p style=\"text-align: center;\">\n","protected":false},"excerpt":{"rendered":"<p>Musicians of the Thai Music Group, Fine Arts Department [cr. FB: Thai Music Group] &nbsp; An independent country with a long history, Thailand possesses rich culture of language, cuisine, arts, and music, each of which is recognized as a national heritage. In this article, we explore Thai classical music, in particular the Piphat (\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c) orchestra. [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":1238,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[185,22,60,4],"tags":[186,183],"class_list":["post-1145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles-music","category-culture-and-heritage","category-music","category-music-and-dramatic-arts","tag-thai-classical-music","tag-tradition"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Music for the Soul: Wong Piphat, the Thai Classical Orchestra - Thailand Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thailandfoundation.or.th\/th\/thai-classical-orchestra\/\" \/>\n<meta property=\"og:locale\" content=\"th_TH\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Music for the Soul: Wong Piphat, the Thai Classical Orchestra - Thailand Foundation\" \/>\n<meta property=\"og:description\" content=\"Musicians of the Thai Music Group, Fine Arts Department [cr. FB: Thai Music Group] &nbsp; An independent country with a long history, Thailand possesses rich culture of language, cuisine, arts, and music, each of which is recognized as a national heritage. In this article, we explore Thai classical music, in particular the Piphat (\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c) orchestra. 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FB: Thai Music Group] &nbsp; An independent country with a long history, Thailand possesses rich culture of language, cuisine, arts, and music, each of which is recognized as a national heritage. In this article, we explore Thai classical music, in particular the Piphat (\u0e1b\u0e35\u0e48\u0e1e\u0e32\u0e17\u0e22\u0e4c) orchestra. 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